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Ashitaka discovers two injured Irontown men and carries them through the forest, where he encounters many kodama and glimpses the Forest Spirit.
Irontown is a refuge for social outcasts, including lepers employed to manufacture firearms; it was one of these guns that had wounded Nago.
Eboshi also explains that San was raised by the wolves as one of their own and resents humankind. San infiltrates Irontown to kill Eboshi, but Ashitaka intervenes, revealing the curse to the town's people and knocks Eboshi and San out cold.
As Ashitaka leaves, he is unintentionally shot by a villager, but the curse gives him the strength to carry San out of the village.
San awakens and prepares to kill the weakened Ashitaka, but hesitates when he tells her that she is beautiful.
She takes him to the forest, and decides to trust him after the Forest Spirit saves his life. A boar clan, led by the blind boar god Okkoto, plans to attack Irontown to save the forest.
Eboshi prepares for battle and sets out to kill the Forest Spirit with Jigo, who is working for the government; she intends to give the god's head to the Emperor in return for protection from Lord Asano.
According to legend, the Forest Spirit's head grants immortality. Ashitaka recovers from his wound but remains cursed; he returns to Irontown to find it besieged by Asano's samurai , and heads out to warn Eboshi.
The boar clan is annihilated in battle, and Okkoto is corrupted by his wounds. Jigo's men disguise themselves in boar skins and trick the rampaging Okkoto into leading them to the Forest Spirit.
San tries to stop Okkoto, but is swept up in his demonic corruption. Moro intervenes and Ashitaka dives into the corruption, saving San.
The Forest Spirit euthanizes Okkoto and Moro. As it transforms into the nightwalker, Eboshi decapitates it. It bleeds ooze which spreads over the land, killing anything it touches as the nightwalker searches for its head, which Jigo steals.
The forest and kodama begin to die; Moro's head comes alive and bites off Eboshi's right arm, but she survives. After the samurai flee and Irontown is evacuated, Ashitaka and San pursue Jigo and retrieve the head, returning it to the Forest Spirit.
The Spirit dies as the sun rises, but its form washes over the land and heals it, and Ashitaka's curse is lifted. Ashitaka stays to help rebuild Irontown, but promises San he will visit her in the forest.
Eboshi reunites with the townspeople and vows to build a better town. The forest begins to regrow, and a kodama emerges from the undergrowth.
In the late s, Miyazaki drew sketches of a film about a princess living in the woods with a beast. This writer's block prompted him to accept a request for the creation of the On Your Mark promotional music video for the Chage and Aska song of the same title.
According to Toshio Suzuki, the diversion allowed Miyazaki to return for a fresh start on the creation of Princess Mononoke.
In April , supervising animator Masashi Ando devised the character designs from Miyazaki's storyboard. In May , Miyazaki drew the initial storyboards.
That same month, Miyazaki and Ando went to the ancient forests of Yakushima , of Kyushu , an inspiration for the landscape of Nausicaä of the Valley of the Wind , and the mountains of Shirakami-Sanchi in northern Honshu for location scouting along with a group of art directors, background artists and digital animators for three days.
Inspired by John Ford , an Irish-American director best known for his Westerns , Miyazaki created Irontown as a "tight-knit frontier town" and populated it with "characters from outcast groups and oppressed minorities who rarely, if ever, appear in Japanese films.
Most of the film is colored with traditional paint, based on the color schemes designed by Miyazaki and Michiyo Yasuda.
However, producers agreed on the installation of computers to successfully complete the film prior to the Japanese premiere date.
DR Movie helped with the painting process. Two titles were originally considered for the film. One, ultimately chosen, has been translated into English as Princess Mononoke.
Suzuki also mentioned that Miyazaki had created a new kanji to write his preferred title. A central theme of Princess Mononoke is the environment.
Smith and Elizabeth Parsons said that the film "makes heroes of outsiders in all identity politics categories and blurs the stereotypes that usually define such characters".
In the case of the deer god's destruction of the forest and Tataraba, Smith and Parsons said that the "supernatural forces of destruction are unleashed by humans greedily consuming natural resources".
Pike writes that Princess Mononoke is simultaneously part of nature and part of the problem. Two other themes found in the plot of Princess Mononoke are sexuality and disability.
An additional theme is the morally ambiguous conflict between humankind's growth and development and Nature's need for preservation.
According to the Chicago Sun-Times ' s Roger Ebert , "It is not a simplistic tale of good and evil, but the story of how humans, forest animals and nature gods all fight for their share of the new emerging order.
It also had something profound to say: that there has to be a give and take between man and nature. One of the things that really impressed me is that Miyazaki shows life in all its multi-faceted complexity, without the traditional perfect heroes and wicked villains.
Even Lady Eboshi, who Ashitaka respects, is not so much evil as short-sighted. He shows that good and evil, violence and peace exist in us all.
It's all about how you harmonize it all. Based on the multiple point of views the film adopts, San and Lady Eboshi can simultaneously be viewed as heroic or villainous.
San defends the forest and viewers empathize with her. But she also attacks innocent people, complicating how we evaluate her.
Opposed to San, Eboshi tries to destroy the forest and could be considered a villain. But everything she does is out of a desire to protect her village and see it prosper.
San and Lady Eboshi survive until film's end, defying the usual convention of good triumphing over evil with the antagonist defeated.
Napier concluded that the resolution of the conflict is left ambiguous, implying that Lady Eboshi and San will be able to come to some sort of compromise.
The ambiguity suggests that there are no true villains or heroes. Dan Jolin of Empire said that a potential theme could be that of lost innocence.
Miyazaki attributes this to his experience of making his previous film, Porco Rosso , and the wars in the former Yugoslavia , which he cites as an example of mankind never learning, making it difficult for him to go back to making a film such as Kiki's Delivery Service , where he has been quoted as saying "It felt like children were being born to this world without being blessed.
How could we pretend to them that we're happy? Duality is central to Eboshi's characterization. Her focus is on creating a safe home for her people.
She holds no malicious intent toward nature and its spirits until they begin attacking her people. Once nature attacks, she gathers her soldiers to protect the inhabitants of her town, a place where all are welcome.
Irontown is a haven for sex workers and lepers. She brings them to Irontown and gives them jobs, hospitality, and a kindness that they have never experienced before.
The same treatment goes for all Irontown's inhabitants, not just the sickly and the scorned. Lady Eboshi treats everyone equally, no matter the race, sex, or history of the individual, creating a caring community.
While Eboshi hates San and the forest spirits, she keeps a garden in her town. Her care for the garden implies that her intention is not to ravage nature to no end, but rather to help her own people.
Thevenin concluded that although Eboshi can be seen as the film's villain, she is also a hero to the citizens of Irontown and to humankind in general.
Another theme in this film is between individualism and societal conformity. According to University of Bristol professors Christos Ellinas, Neil Allan and Anders Johansson, this struggle can be seen between San, a strong individualistic force, and Eboshi, the leader of a great society.
San has fully committed to living with the wolves in the forest and to renouncing her association with the human race. Eboshi has vowed to sustain her society of Irontown by any means including destroying the environment.
The people of Irontown have a cohesive ideology and agree with Eboshi to protect Irontown at the cost of the environment's destruction.
This dynamic between them represents the struggle to find a balance between the needs of individualism and those of conformity. Princess Mononoke was released theatrically in Japan on July 12, Since the Walt Disney Company made a distribution deal with Tokuma Shoten for Studio Ghibli's films in , it was the first film from Studio Ghibli along with Kiki's Delivery Service and Castle in the Sky to have been dubbed into English by Disney; in this case, subsidiary Miramax Films was assigned to release the movie in America.
In response to demands from Miramax chairman Harvey Weinstein to edit the film, one of Miyazaki's producers sent Weinstein a katana with the message: "No cuts.
On April 29, , the English-dub version of Princess Mononoke was released theatrically in Japan along with the documentary Mononoke hime in U.
It was the top-grossing anime film in the United States in January , but the film did not fare as well financially in the country when released in December The film was released on DVD by Buena Vista Home Entertainment on November 21, with bonus extras added, including the international versions of the film as well as the storyboards.
Because that the film hadn't been released on DVD in Japan yet, there were concerns that "a foreign-released DVD containing the Japanese language track will allow for the importation of such a DVD to Japan, which could seriously hurt the local sales of a future release of the [film]".
The website's consensus reads: "With its epic story and breathtaking visuals, Princess Mononoke is a landmark in the world of animation. The Daily Yomiuri ' s Aaron Gerow called the film a "powerful compilation of [Hayao] Miyazaki's world, a cumulative statement of his moral and filmic concerns.
And it's very long. Roger Ebert placed Princess Mononoke sixth on his top ten movies of James Cameron cited Princess Mononoke as an influence on his film Avatar.
He acknowledged that it shares themes with Princess Mononoke , including its clash between cultures and civilizations, and cited Princess Mononoke as an influence on the ecosystem of Pandora.
The film score of Princess Mononoke was composed and performed by Joe Hisaishi , the soundtrack composer for nearly all of Miyazaki's productions, and Miyazaki wrote the lyrics of the two vocal tracks, "The Tatara Women Work Song" and its title song.
The titular theme song was performed by counter-tenor Yoshikazu Mera. For the English adaptation, Sasha Lazard sang the song. During the movie Hisaishi makes use of a few known classical pieces and quotes them, such as Dmitri Shostakovich's 5th symphony.
As with other Studio Ghibli films, additional albums featuring soundtrack themes in alternative versions have been released.
The image album features early versions of the themes, recorded at the beginning of the film production process, and used as source of inspiration for the various artists involved.
The symphonic suite features longer compositions, each encompassing several of the movie themes, performed by the Czech Philharmonic Orchestra conducted by Mario Klemens.
It is the first stage adaptation of a Studio Ghibli work. The first performances were scheduled for London's New Diorama Theatre and sold out in 72 hours, a year in advance.
A second series of performances followed in London after the return from Tokyo. The second run of London performances sold out in four and half hours.
From Wikipedia, the free encyclopedia. Japanese theatrical release poster. Studio Ghibli. Joe Hisaishi. Kogyo Tsushinsha. Archived from the original on August 8, Retrieved June 9, Box Office Mojo.
Internet Movie Database. Retrieved June 14, Electric Sheep. Retrieved December 11, Miramax Films. Archived from the original on June 16, Retrieved September 23, University of Florida.
Retrieved September 11, Retrieved September 14, November 4, Archived from the original on June 29, Retrieved September 15, Moving Pictures, Berlinale Extra.
Berlin: February 11—22, Princess Mononoke: Making of a Masterpiece Documentary. Japan: Buena Vista Home Entertainment.
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Ashitaka, seorang pangeran dari suku Ainu yang menghilang, dikutuk oleh dewa babi yang jahat dan harus melakukan perjalanan ke barat untuk menemukan obatnya.
Sepanjang jalan, dia bertemu San, seorang wanita muda yang berjuang untuk melindungi hutan, dan Lady Eboshi, yang mencoba menghancurkannya.
Ashitaka harus menemukan cara untuk membawa keseimbangan pada konflik ini. Bagaimana menurut anda?